Flash is dead. Long live Ruffle!

April 4, 2022 on 5:36 am | In Uncategorized | Comments Off on Flash is dead. Long live Ruffle!

On December 31, 2020, Adobe officially stopped supporting the Flash Player, and for the first time (ahem, second time) since we launched in 2002, Graffiti Archaeology went dark.

But the internet is proving to be full of surprises. A community of kindly Rust developers have created a Flash emulator called Ruffle, designed to “just work” on any Flash-based site, but founded on modern concepts of safety and security. It’s very much a work in progress, and they have not yet finished implementing all of Flash’s many capabilities, but it is really impressive how far they’ve come.

So, if you came here to try out our interactive app, but saw only a sad broken plugin icon, we have good news: you can still use it (albeit with some significant UI bugs) by installing the Ruffle extension in your browser of choice. Once the developers have worked out all the kinks, we’ll switch the site over to use Ruffle automatically (without requiring the extension).

In the meantime, here’s a video play-through of the original Flash version for posterity.

The Curious Frontier of Red

July 3, 2015 on 4:17 am | In global news, related links | Comments Off on The Curious Frontier of Red

Mobstr Gif

UK-based stencil artist Mobstr noticed something odd about the way a wall in his neighborhood got buffed, so he decided to do a little psychological experiment, with hilarious results. I went ahead and grafarc-ized it into an animated gif.

Sites of Respect

February 26, 2015 on 4:20 am | In global news, related links | Comments Off on Sites of Respect

Sites of Respect from Cameron McAuliffe on Vimeo.

Check out this video by human geographer Cameron McAuliffe from Sydney, Australia: Sites of Respect: Legal Graffiti Walls and the Moral Geographies of Young People. He spent 28 weeks photographing a set of seven legal walls in the Parramatta neighborhood of Sydney, tracking their changes on a weekly basis, until a newly elected conservative council ended the legal wall program and tore all the walls down.

Invisible graffiti that glows under UV

December 12, 2014 on 7:27 pm | In related links | Comments Off on Invisible graffiti that glows under UV

What would you do with a can of spraypaint that’s invisible by day, but glows under black light? Check out Bilal Ghalib’s Glowffiti project for details. (via Golan Levin.)

5 Pointz gets buffed

November 19, 2013 on 6:51 pm | In events and press, global news | Comments Off on 5 Pointz gets buffed

Photo by Robert Stolarik for The New York Times

Photo by Robert Stolarik for The New York Times

The slowly-unfolding tragedy in Queens just took a sudden turn for the worse. In a move worthy of a fantasy villain, the owner of the building known as 5 Pointz has ordered decades of artwork buffed overnight. Read more about it in the New York Times or the Guardian.

Respect the alphabet. Support “Handselecta: Flip the Script”.

March 28, 2013 on 5:29 pm | In related links | Comments Off on Respect the alphabet. Support “Handselecta: Flip the Script”.

I haven’t yet read Christian Acker’s new book “Handselecta: Flip the Script”, but from what I’ve seen, it looks like a thorough, scholarly, and invaluable piece of work. He’s compiled hundreds of interviews, tags, and alphabet samples from writers across the US, in a grand taxonomy and analysis of regional handstyles, the roots of all graffiti culture. I can’t wait to read it, and I’ll be first in line when he comes to San Francisco to speak.

If you’re as into this stuff as I am, you might want to show your support.

Tearing down Berlin’s East Side Gallery?

March 28, 2013 on 3:19 pm | In global news | Comments Off on Tearing down Berlin’s East Side Gallery?

photo by Rex

photo by Rex

The battle of real estate developers versus art-loving citizens plays itself out again, this time in the city of Berlin. I’m old enough to remember when the Berlin Wall came down the first time. Then, it was something to celebrate. Now, it’s something to protest against. How times change.

Just say no to SOPA and PROTECT-IP (PIPA).

December 30, 2011 on 5:49 am | In global news, site updates | Comments Off on Just say no to SOPA and PROTECT-IP (PIPA).

Graffiti Archaeology’s domain has been registered at the sketchy domain registrar GoDaddy.com for several years now. But then GoDaddy announced its support for SOPA, an extremely toxic bit of legislation being considered by the US Congress, which if passed, would empower a single government bureaucrat with a switch to kill any web domain of his choosing, without any public oversight, due process, or even notification to the owner of the domain being killed. SOPA (and its evil twin, PIPA) would effectively destroy the free Internet as we know it, and it would very specifically pose a threat to projects like this one. So I’m happy to announce that as of today, we’re taking our business elsewhere.

Visitors might experience some downtime as we get the DNS records established with our new registrar, but hopefully it’ll all be straightened out quickly.

Restoring a mural using QR codes

December 15, 2011 on 7:12 am | In global news | Comments Off on Restoring a mural using QR codes

Wooster Collective reader Jason V. shared an interesting series of photos of a mural in Vancouver. After the mural was tagged with a big red anarchy sign, someone went over the tag with a giant QR code, apparently painted by hand. The code leads back to an image of the original mural. I went ahead and made an animated GIF of the whole repeating cycle, for your recursive pleasure:

This isn’t the first time someone has tried something like this, but it’s the first time I’ve seen it in North America. A Berlin-based artist named Sweza did something similar last year: Retrieving buffed graf with QR codes

Thanks to Eric Rodenbeck for the link!

why Graffiti Archaeology doesn’t have maps

December 5, 2011 on 8:08 am | In events and press | Comments Off on why Graffiti Archaeology doesn’t have maps

A student in the New School’s Urban Media Archaeology class has written up an interesting critique of Graffiti Archaeology. It amazes me sometimes that our little project, now a decade old, still holds enough interest to merit this type of critique.

The critique calls out several contextual features that are missing from the project. Some of these are missing simply due to our lack of time to implement them. For example, labeling each writer’s work with their street name is standard practice among graffiti photographers, and I always do it when I post photos on Flickr. But implementing a system of artist-name tags would mean adding a host of interface features to make the system truly functional: a way of authoring, displaying and interacting with highlightable sub-regions of each layer, plus features to access the index of tags by artist name, search, etc… the list goes on! It’s been on my to-do list for years, but the implementation is just a bit beyond my present skill set. So yes, it’s a valid critique. And if you have the technical chops to help me make it happen, I’d love to hear from you!

But let’s talk about the lack of maps. This is not “missing” in the sense that it should be there but we haven’t gotten around to it. It is explicitly absent from the project at a conceptual level. It’s not a bug, it’s a feature. I touch on this briefly in our FAQ page, but my answer is not much of an explanation. A full explanation would mean a long discussion about graffiti abatement and enforcement, but the short answer is: I won’t tell you because that information is private.

Some of the walls we cover on this site are “legal” or “permission” walls. Others are not. My experience has been that the unauthorized walls are consistently the most interesting to study. On those walls, there are no authorities or gatekeepers. The only force that drives change on those walls is the force of graffiti culture itself. It is on those walls that the “why” questions are most fascinating. However, those walls only persist as long-running graffiti spots because their locations are a closely kept secret, known only among those who paint there and the people they trust.

When a location like that gets publicized, it’s called “blowing up the spot”. The metaphor of destruction is fairly accurate. Blowing up a spot threatens its integrity in various ways: it attracts toys (writers of little skill). Too many toys will drag the quality of the wall down, and discourage the really skilled artists from painting there. Graffiti abatement crews can descend on the spot and whitewash away years of history. Land owners can put up fences, local politicians can try to show they’re “tough on crime” by cracking down. But even tourists and photographers can cause trouble: too many people walking through an otherwise abandoned area can attract attention from police, posing a real physical danger to the people who paint there. Any combination of these things can permanently damage the unique character of a secret spot.

Urban Media Archaeology’s critique concludes with a description of an “ideal world” in which Graffiti Archaeology’s historical layering is merged with the crowdsourced geography of projects like OpenStreetMap and Walking Papers. I love both of those projects, but merging them with this one is a very bad idea. It would mean, essentially, the end of all secret spots. To me, this would be an intolerable outcome. It seems to be trendy these days to assume that sharing everything with everyone all the time is always a good thing. The “end of privacy” is often portrayed as inevitable, or even in the past. Facebook has certainly made a lot of money off of this naive view. I disagree. Maybe I’m old fashioned, but I still believe in privacy. And if I catch you putting secret spots on your Walking Papers, we’ll have to settle our beef the old fashioned way too.

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